Objectivism, Williams, and counterpoint

This from a while back, when I was doing some reading in prosody inspired by Charles Hartman’s Free Verse.

Dipping into an earlier chapter of Sound and Form in Modern Poetry (while reading Jeffers’s Cawdor, which Gross analyzes, which led me to think of Paterson, which got me trying to remember what Gross had said about Williams). Gross takes issue with Williams’s objectivism. (By the way: I say Gross, although my edition is Gross & McDowell, because I’m assuming the substance of the argument is to be found in the earlier edition, which he wrote alone.) He begins by quoting the following from Williams’s autobiography: Continue reading