A group of scientists have published an open letter to the Smithsonian, the American Museum of Natural History, and others to cut all ties with the fossil fuel industry, including removing David Koch from the boards of those two museums.
As James Powell, one of the signatories, put it on Democracy Now!,
And when you have on your board someone who has gotten the science wrong and who is a billionaire and is sitting at the table when trustee decisions are made, you at least give the appearance that your exhibit might be tainted and might not be giving the best science. And, in fact, with the Smithsonian exhibit that you talked about, I think that’s not just an appearance, but it’s actually the reality—the notion that we can evolve our way out of global warming. I like to say my grandchildren are already here; they’re present on the planet. They’re not going to evolve by the time they’re my age. What is going to happen is that the world is going to be a much more dangerous place.
Lying in the hammock on the front porch, looking at the branches of the blue spruce, their craggy shapes against the night sky. They make the shapes whether anyone is there to look at them or not, yet we can only see them with all our preconceptions. Our aesthetic responses, our craving for form, the tension between what is and what we long for, the twanging that the shapes provoke inside us.
Looking at them, thinking about them, I think of the millions of years before human beings existed. Whole continents came and went, rivers cut their way through rock, made canyons, oxbows, alluvial plains, little banks where grasses sheltered crayfish. . . The trees stood up and splayed their branches on the sky. The shapes were there. And then they died, fell into earth, the earth swallowed itself and bent to new shapes we never knew.
There are some ideas here.
Here’s an essay on what we think we know and why we shouldn’t be so sure. After I wrote it I read and enjoyed Jonah Lehrer’s piece “The Truth Wears Off: The Decline Effect and the Scientific Method” in the New Yorker, which explores similar themes. As an aside, this essay might help explain why I was a lot less inclined than many of my lefty friends to mock Donald Rumsfeld for his famous “known unknowns” remark, though I did appreciate the rendering of that remark into free verse.
In 1813, the noted ornithologist John James Audubon witnessed a phenomenon that has become legendary, both for its size and for its somber lesson: the passing of a flock of passenger pigeons. It lasted for three days and nights, stretching from one horizon to the other, darkening the sky like an eclipse. Branches and small trees broke under their weight, and many were crushed by those that landed above them. Their poop fell like snow. These flocks were “more like storm systems than assemblages of birds,” writes William Souder in Under a Wild Sky: John James Audubon and the Making of The Birds of America. They inspired a gargantuan slaughter by the farmers and recreational hunters of antebellum America, one that continued for decades until the species was nearly extinct, no longer able to sustain itself. The last one died in a zoo in 1914.